Product | Bach Trumpet Gold Mouthpiece |
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Country of Origin | 미국 |
Price | $119.80 €88.95 |
수량 | |
Description | 빈센트 바하가 만든 마우스 피스는 수 십년 동안 많은 연주자들이 사용하는 스텐다드 마우스피스로 자리잡았고, 이 피스는 모든 종류의 연주를 가능케 하도록 디자인 되었습니다. |
Seller Product Code | 351 |
베스트사이즈 | |
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전체사이즈 |
(Minimum order 1ea / Maximum order 0EA )
빈센트 바하의 마우스피스는 지난 수 십년 동안 많은 연주자들이 사용하는 스탠다드 마우스피스로 자리를 잡았고
이 마우스피스는 모든 종류의 연주를 가능하도록 디자인이 되었습니다.
"A" 모델, 아주 깊은 컵, #24 백보어, 크고 어두운 사운드 |
글자가 없은 모델은 깊은 컵, #10 백보어, 가득차고 풍부한 깨끗한 톤 |
"B" 모델, 중간 깊은 컵, #7 백보어, 큰 볼륨과 유럽적 사운드 |
"C" 모델, 중간 컵, #10 백보어, Bb,C,D 트럼펫 모두 사용하는 연주자 |
"D" 모델, 중간 얕은 컵, #76 백보어, 특히,고음에서 생기있고 화려한 톤. |
"E" 모델, 얕은 컵, #117 백보어, 소프라노와 피콜러 트럼펫을 위해 디자인, 높은 음역대를 연주하는 연주자 |
"F" 모델, 아주 얕은 컵, #76 백보어, 높은 음역대를 연주할 때. |
"V" V 스타일 컵. "V"은 깊은 컵, #20 throat, and #25 백버어; "MV" 는 중간 컵, #25 throat, and #25 백보어; "SV" 은 얕은 컵, #25 throat, and #25 백보어 |
"W" 모델은 넓은 컵, 부드럽고 두꺼운 입술을 위한 쿠션 림 |
* 베스트 사이즈는 재고가 조기 소진될 수 있으며 그 외의 사이즈의 경우
재고가 없을 수 있으며 재입고까지 소요시간이 있습니다.
주문 전 꼭 연락을 주세요.
Trumpet,
Cornet &
Fluegelhorn Mouthpieces
Catalog No.
351 Trumpet /
Catalog No.
349 Cornet /
Catalog No.
342
Fluegelhorn
1* | Deep | 17.50 mm | Medium thin. | Extra-large cup for players with a robust embouchure. | |||||||||||||||||||||||
Produces a great volume of tone. | |||||||||||||||||||||||||||
1X | Deep | 17.00 mm | Medium wide. | The pre-1970 (old style) No. 1, with slightly smaller | |||||||||||||||||||||||
cup and wider rim than the present model. | |||||||||||||||||||||||||||
1B | Medium | 17.00 mm | Medium wide. | Large cup for players with a robust embouchure. | |||||||||||||||||||||||
deep | Produces a warm tone with great volume. | ||||||||||||||||||||||||||
1C* | Medium | 17.00 mm | Medium wide. | Large diameter, medium cup – good for all-around use. | |||||||||||||||||||||||
1CW | Medium | 17.00 mm | Slightly wider, gradually |
Same as No. 1C with wider cushion rim. | |||||||||||||||||||||||
lowered to outside. | |||||||||||||||||||||||||||
1D | Medium | 17.00 mm | Medium wide. | Medium shallow cup facilitates high register. | |||||||||||||||||||||||
shallow | Brilliant sound. | ||||||||||||||||||||||||||
1E | Shallow | 17.00 mm | Medium wide. | Facilitates high register. Excellent mouthpiece for soprano or | |||||||||||||||||||||||
piccolo trumpet. | |||||||||||||||||||||||||||
11⁄4C | Medium | 17.00 mm | Medium wide. | Large cup for powerful trumpeters. Compact tone of great | |||||||||||||||||||||||
carrying power. | |||||||||||||||||||||||||||
11⁄2B | Medium | 17.00 mm | Medium wide, | Produces a scintillating, warm tone of large volume. | |||||||||||||||||||||||
deep | not too sharp. | For players with a well-trained embouchure. Comfortable | |||||||||||||||||||||||||
rim contour. | |||||||||||||||||||||||||||
11⁄2C* | Medium | 17.00 mm | Medium wide, | Large diameter, medium cup – good for all-around use. | |||||||||||||||||||||||
not too sharp. | |||||||||||||||||||||||||||
2 | Deep | 16.50 mm | Medium wide, lowered | Large cup; powerful Teutonic quality of tone. | |||||||||||||||||||||||
toward the outside. | For players with a good embouchure. | ||||||||||||||||||||||||||
2C | Medium | 16.50 mm | Medium wide, lowered | Large cup; powerful, brilliant tone. For players | |||||||||||||||||||||||
toward the outside. | with a good embouchure. | ||||||||||||||||||||||||||
21⁄2C | Medium | 16.40 mm | Medium wide, lowered | Large cup; brilliant, heroic, crisp C trumpet tone. For players | |||||||||||||||||||||||
toward the outside. | with strong, muscular lips. | ||||||||||||||||||||||||||
23⁄4C | Medium | 16.40 mm | Medium wide, lowered | Large cup; bright, lively C trumpet tone. | |||||||||||||||||||||||
toward the outside. | For players with a normal embouchure. | ||||||||||||||||||||||||||
Slightly more narrow than No. 21⁄2C. |
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3 | Deep | 16.30 mm | Medium wide. | Fairly large cup with full, rich tone. |
3B | Medium | 16.30 mm | Medium wide. | A fairly large cup. | |
deep | The tone is warm and full. | ||||
3C* | Medium | 16.30 mm | Medium wide. | Fairly large cup, good for all-around use. | |
3CW | Medium | 16.30 mm | Slightly wider, | Same as No. 3C with wider cushion style rim. | |
lowered to outside. | |||||
3D | Medium | 16.30 mm | Medium wide. | Fairly large, medium shallow cup produces a more brilliant tone. | |
shallow | Facilitates high register. | ||||
3E | Shallow | 16.30 mm | Medium wide. | Preferred by players who want a large mouthpiece but with a | |
shallow cup. Facilitates high register. | |||||
3F | Extra | 16.30 mm | Medium wide. | Same as above but with extra shallow cup. Produces sparkling | |
shallow | tone in the extreme high register. | ||||
5A* | Very | 16.25 mm | Medium wide, rounded | A fairly large cup with a dark, full, mellow tone. | |
deep | inside edge. | ||||
5B* | Medium | 16.25 mm | Medium wide, lowered | A precise rim and a fairly large cup. The tone is vivid and full. | |
deep | toward the outside. | ||||
Medium sharp edge. | |||||
5V | Very | 16.25 mm | Same as above. | V style cup with larger #20 throat and #25 backbore. | |
deep | Free blowing, very flexible. | ||||
5MV | Medium | 16.25 mm | Same as above. | Medium deep V style cup with #25 throat and #25 backbore. | |
deep | Good commercial sound. | ||||
5SV | Shallow | 16.25 mm | Same as above. | Shallow V style cup with #25 throat and #25 backbore. | |
5C* | Medium | 16.25 mm | Medium wide, well | For players with a strong embouchure who do not like a sharp | |
rounded toward the | edge. The tone is lively and rich. | ||||
inside and outside, | |||||
fairly flat. | |||||
6 | Deep | 16.20 mm | Medium wide, | Produces a rich, clear tone of substantial body. Its rim shape | |
not too sharp. | was preferred by Vincent Bach. (Cornet model comes with | ||||
#24 backbore as standard.) | |||||
6B | Medium | 16.20 mm | Medium wide, | Produces a beautiful, ringing tone and responds easily. Medium- | |
deep | not too sharp. | large size gives the lips sufficient room to execute freely. | |||
6BM | Medium | 16.20 mm | Medium wide, | Same as No. 6B but larger #26 throat, #24 backbore. | |
deep | not too sharp. | Large symphony sound. | |||
6C* | Medium | 16.20 mm | Medium wide, not too | A distinctive C trumpet cup. Its clear tone cuts through the | |
sharp, rather flat. | largest bands and orchestras. | ||||
7* | Deep | 16.20 mm | Medium wide, lowered | This popular model produces a colorful, liquid tone which is | |
toward the outside. | uniform over the entire scale. Desirable for all-around work. | ||||
Med. sharp inside edge. |
7A* | Very | 16.20 mm | Medium wide, lowered | Warm, melodious, rich tone approaches the quality of a lyric | |
deep | toward the outside. | soprano voice. Free blowing. | |||
Med. sharp inside edge. | |||||
7B | Medium | 16.20 mm | Medium wide, lowered | Slightly livelier timbre than No. 7, full in the low and middle | |
deep | toward the outside. | registers, responds easily on high tones. Warm, rich sound. | |||
Med. sharp inside edge. | Well suited for all-around use. | ||||
7BW | Medium | 16.20 mm | Slightly wider, lowered | The same features as No. 7B with a cushion rim for players | |
deep | toward the outside. | with slightly heavier lips. | |||
Med. sharp inside edge. | |||||
7C* | Medium | 16.20 mm | Medium wide, lowered | Probably the most widely used model in the world. | |
toward the outside. | Its brilliant tone is preferred by school musicians and by artists. | ||||
Medium sharp inside. | |||||
Well-rounded edge | |||||
with a perfect grip. | |||||
7CW | Medium | 16.20 mm | Slightly wider, | The same as No. 7C with a comfortable cushion rim contour. | |
gradually lowered | Very practical for strenuous work and players with large lips. | ||||
toward the outside. | |||||
7D | Medium | 16.20 mm | Medium wide, lowered | A shallower cup than No. 7C, designed principally for D trumpet, | |
shallow | toward the outside. | but used successfully where great brilliance and easy high register | |||
Similar to No. 7C. | are required. | ||||
7DW | Medium shallow | 16.20 mm | Slightly wider than No. 7D. | This shallow Ep soprano trumpet (or cornet) cup is excellent for D trumpet and for playing continually in the high register. | |
Cushion rim is helpful to players who use a little too much pressure. | |||||
7E | Shallow | 16.20 mm | Medium wide. Similar to No. 7C. | This extra shallow Ep soprano trumpet (or cornet) cup produces a crisp, sparkling tone in the extreme high register. Widely used for | |
piccolo trumpet. | |||||
7EW | Shallow | 16.20 mm | Slightly wider | The same as No. 7E with a cushion rim. For players accustomed | |
than No. 7E. | to playing with much pressure, especially in the high register. | ||||
8 | Deep | 16.20 mm | Fairly wide with slightly | The same cup as No. 7 but with a rim that players with | |
flatter surface than No. 7. | protruding teeth find more comfortable. | ||||
Rounded inner edge. | |||||
8B | Medium | 16.20 mm | Fairly wide with slightly | The same cup as No. 7B with a rim that players with | |
deep | flatter surface than No. 7B. | protruding teeth find more comfortable. Darker sound | |||
Rounded inner edge. | than No. 8. | ||||
8C | Medium | 16.20 mm | Fairly wide with slightly | The same cup as No. 7C but with a rim that players with | |
flatter surface than No. 7C. | protruding teeth find more comfortable. | ||||
Rounded inner edge. |
81⁄2 | Deep | 16.10 mm | Medium wide, lowered | Slightly smaller in diameter than No. 7; produces a full, round | |
toward the outside. | tone. Preferred by players with a sensitive embouchure and | ||||
Med. sharp inside edge. | by those whose work is very strenuous. | ||||
81⁄2A | Very | 16.10 mm | Medium wide with | Produces a full, velvety tone. Suitable for cantilena playing. | |
deep | rounded inner edge. | ||||
81⁄2B | Medium | 16.10 mm | Medium wide, lowered | Like No. 7B but with a cup diameter just enough smaller to | |
deep | toward the outside. | facilitate production of the high tones. | |||
Medium sharp edge. | |||||
81⁄2C | Medium | 16.10 mm | Medium wide, | Medium C cup provides flexibility and easy response. | |
well rounded. | Clear, brilliant tone throughout the register. | ||||
83⁄4 | Deep | 16.10 mm | Medium wide, | Produces a tone of great volume and Teutonic character. | |
not too sharp. | Very effective in symphonic work and opera. | ||||
83⁄4C | Medium | 16.10 mm | Medium wide, | Similar to No. 7C, but with a slightly smaller cup diameter. | |
slightly flat. | Response helps endurance for players who suffer from fatigue. | ||||
9 | Deep | 16.05 mm | Medium wide, lowered | The same style and rim as No. 7, but with smaller cup diameter. | |
toward the outside. | |||||
9A | Very | 16.05 mm | Medium wide, | Produces a mellow, sweet tone. | |
deep | well rounded. | ||||
9B | Medium | 16.05 mm | Medium wide, lowered | Corresponds with No. 9. Slightly darker tone. Players with | |
deep | toward the outside. | narrow lips who tire quickly feel relieved when using this model. | |||
9C | Medium | 16.05 mm | Medium wide, lowered | Similar in size to No. 9 but produces a more brilliant, open tone. | |
toward the outside. | Free high register, easy response. Suitable for strenuous all-around | ||||
work by players with narrow lips. | |||||
9D | Medium | 16.05 mm | Medium wide, lowered | Similar in size to No. 9 and in tone to the more brilliant No. 7D. | |
shallow | toward the outside. | Players with narrow, sensitive lips get satisfactory results with | |||
this model. Recommended for the extreme high register. | |||||
10 | Deep | 16.00 mm | Fairly wide with rather | Similar to No. 7, but smaller in size and with a broad, flat rim. | |
broad, flat surface. | Suitable for players with fleshy, soft lips. | ||||
10B | Medium | 16.00 mm | Fairly wide with rather | Same size as No. 10 but with warmer tone. Gives good results | |
deep | broad, flat surface. | to players with heavy, thick lips—especially those who become | |||
easily fatigued. | |||||
10C* | Medium | 16.00 mm | Fairly wide with rather | Same rim as No. 10, but with a medium C cup. Especially | |
broad, flat surface. | designed for high notes and sparkling brilliancy. | ||||
101⁄2A | Very | 15.90 mm | Medium wide, | Produces the mellow, rich lyric cornet tone favored by players | |
deep | well rounded. | of the Italian school. | |||
101⁄2C* | Medium | 15.90 mm | Medium wide. | Fine high register, resonating low register. Particularly useful to | |
players without a strong embouchure. Ideal for C trumpet. |
101⁄2CW | Medium | 15.90 mm | Extra wide, high | Size, cup shape, and playing qualities are similar to the No. 101⁄2C | |
toward the inner edge. | Cushion rim recommended for players who use heavy pressure. | ||||
101⁄2D | Medium | 15.90 mm | Medium wide, high | Similar in size to No. 101⁄2C, with a shallower cup for more | |
shallow | toward the inner edge. | brilliance and an easier high register. | |||
101⁄2DW | Medium | 15.90 mm | Extra wide, high | Same depth of cup and diameter as No. 101⁄2D, with an extra wide | |
shallow | toward the inner edge. | cushion rim for players with fleshy lips. | |||
101⁄2E | Shallow | 15.90 mm | Medium wide, high | The same scintillating tone as No. 7E. Preferred by players | |
toward the inner edge. | with weak lips who have to play in the high register. | ||||
101⁄2EW | Shallow | 15.90 mm | Extra wide, high | Cup diameter and shape are the same as No. 101⁄2E, but the | |
toward the inner edge. | extra wide rim offers support to players who have soft, fleshy lips | ||||
and play continually in the extreme high register. Sometimes used | |||||
for piccolo trumpet. | |||||
103⁄4A | Very | 15.75 mm | Medium wide, | Slightly smaller cup diameter than No. 101⁄2A. Has the mellow, | |
deep | well rounded. | sweet tone generally used by players of the Italian school. | |||
103⁄4CW | Medium | 15.75 mm | Extra wide. | Cushion rim for players with thick, fleshy lips who are accus- | |
tomed to using much pressure. There is no easier-blowing | |||||
mouthpiece with such voluminous and brilliant tone. | |||||
103⁄4EW | Shallow | 15.75 mm | Extra wide. | Shallower than No. 103⁄4CW to produce a very penetrating, | |
glittering tone. For extreme high register work. Cushion rim. | |||||
11A | Very | 15.70 mm | Medium wide, | A medium-small mouthpiece with a round, full, old-fashioned | |
deep | well rounded. | cornet tone. | |||
11B | Medium | 15.70 mm | Medium wide, | A medium-small mouthpiece with a beautiful, warm, clear tone. | |
deep | well rounded. | Responds very easily, especially in the upper register, for players | |||
with delicate embouchures. | |||||
11C | Medium | 15.70 mm | Medium wide. | A beautiful brilliant C trumpet tone that requires little effort to | |
play in the high register, yet with a free low range. | |||||
11D | Medium | 15.70 mm | Medium wide, | Produces a brilliant tone, effective in the high register. | |
shallow | well rounded. | Good for players not having a strong embouchure. | |||
11DW | Medium | 15.70 mm | Extra wide. | Players with thick, fleshy lips, especially those who can not rely | |
shallow | on the strength of their lip muscles, can use this cushion rim | ||||
mouthpiece to advantage. Produces crisp, easy top tones. | |||||
11EW | Shallow | 15.70 mm | Extra wide, rather | A cushion-rim mouthpiece especially designed for the extreme | |
high toward the | high register. Because of the extra shallow cup, the tone is very | ||||
inner edge. | brilliant, piercing, and cuts well. For players who have heavier | ||||
than normal pressure in the high register. | |||||
111⁄2A | Very | 15.65 mm | Medium wide, | Similar to No. 11A, but slightly smaller. | |
deep | well rounded. | Produces a rich, round tone. |
111⁄2C | Medium | 15.65 mm | Medium wide. | A brilliant,
scintillating tone, very easy response and good all- around register. | |||||||
113⁄4C | Medium | 15.60 mm | Medium wide, well rounded. | Easy
playing, with a compact, brilliant tone. Recommended for players with sensitive embouchures and narrow lips. | |||||||
113⁄4CW | Medium | 15.60 mm | Fairly wide, rather flat, not too sharp. | A cushion rim for players with soft, fleshy lips who rely on above average pressure. Responds easily in the high register. | |||||||
12 | Deep | 15.20 mm | Broad, rather flat. | This popular
model produces a full, mellow tone. A good choice for players of the English or Italian school who are accustomed to small mouthpieces and players with heavy, weak lips. | |||||||
12B | Medium | 15.20 mm | Broad, rather flat. | The same rim as No. 12, with a slightly
shallower cup to make deep the tone more lively. High register responds well. | |||||||
12C | Medium | 15.20 mm | Broad, rather flat. | Brilliant tone, easy high register for
trumpeters who have to play difficulty with the high tones. | |||||||
12CW | Medium | 15.20 mm | Broad, rather flat | Cup diameter and depth are the same as No.
12C, extra wide toward the inside. cushion rim. | |||||||
17 | Deep | 15.10 mm | Medium wide. | A small mouthpiece with a solid, compact
tone. Players with thin lips find this model highly | |||||||
17C | Medium | 15.10 mm | Medium wide. | A lively, clear and brilliant tone, for
players with thin lips whose embouchures tire easily. | |||||||
18 | Deep | 15.10 mm | Broad, rather flat. | Has the same cup as No. 17, but a wider
rim. Players of the old Italian or English school having heavy, soft lips and a rather sensitive embouchure choose this model. | |||||||
18C | Medium | 15.10 mm | Broad, rather flat. | Same cup design as No. 17C, with a wider
and flatter rim to distribute pressure over a larger surface. | |||||||
20C | Medium | 15.00 mm | Medium wide. | A very small mouthpiece, recommended only
to players who have extremely weak or delicate lips. | |||||||