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A Modern Method For Guitar - Volume 3

현대 기타 주법 3권

버클리 음악 대학에서 기타 프로그램의 기본 교재로 사용하는 매우 실용적이면서도 이해하기 쉬운 기타 교본입니다. 실력 향상을 위해 갖추어야 할 기타리스트의 기본적 기술들 - 스케일을 위한 테크닉, 아르페지오, 리듬기타, 코드/스케일 관계, 코드 구조와 발성, 고급 연주를 위한 팁 등 - 을 Volume 1과 2에 이어서 더 자세하고 심도있게 다루고 있습니다. 

수록내용 (160pages)

Evolution of Twelve Major Scale Fingering Patterns 

A Refined Definition of Position 

Speed Study 

"Solo in Bb" 

Rhythm Guitar - The Right Hand (Rhumba) 

Explanation of Voices in Chords 

Triad Studies - Chords in C Major (Close and Open Voicings) 

Afjacent Strings - Common Finger Exercises 

Major Scales - Position II (Twelve Keys Ascending Chromatically) 

Principal Real Melodic Minor Scale - Position II (Nine Pactical Fingerings) 

Triad Studies - Chords in G Major (Close and Open Voicings) 

Arpeggios - Three-Note Chords - Major Triads 

Arpeggios - Three-Note Chords - Minor Triads 

About Chord Symbols 

Reference Chart for Major Scale Fingering Types 

Major Scales - Position III (Twelve Keys Descending Chromatically) 

"Melodic Rhythm Study No.8" (duet) 

About Practicing 

Triad Studies - Chords in F Major (Close and Open Voicings) 

Technical Study 

About Chord Construction 

Major Scales - Position IV (Twelve Keys Through Cycle 5) 

Principal Real Melodic Minor Scales - Position IV (Nine Practical Fingerings) 

Chord Construction - Four-Part Harmony 

Arpeggios - Four-Note C Chords 

Rhythm Guitar - The Right Hand (Tango, Merengue) 

C Major Scales (Twelve Positions) 

Natural Minor Scales 

Modes - A Brief Discussion 

Harmonic Minor Scales 

A Harmonic Minor (Nine Positions) 

"A Minor Etude" (solo) 

Melodization of Triads 

Recognition of Melodic Degrees - Altered 5 and #4 

About Chord Voicings 

Arpeggios - Four-Note F Chords 

Arpeggios - Four-Note G Chords 

Chords-Scale Relationships - Dominant 7 Chords 

Major Scales - Position V (Twelve Keys Descending Chromatically) 

Principal Real Melodic Minor Scales - Position V 

Chord Construction - Three-Note Voicings 

Melodization of Tonic Major Chords 

Melodization of Tonic and Subdominant Minor Chords 

Diminished Scales - In Position 

Chord Construction (Three-Note Voicings) Domininant 7 Chords (Preparation of Close Voicings) 

Recognition of Melodic Degrees - Dominant 7 Chords 

Speed Study 

Arpeggios - Four-Note Bb Chords 

Arpeggios - Four-Note D Chords 

"Melodic Rhythm Study No. 9" (duet) 

Rhythm Guitar - The Right Hand (Mambo, Bolero, Conga) 

Legato-Stacatto (Explanation of Portato) 

F Major Scale (Twelve Positions) 

D Harmonic Minor (Nine Positions) 

"Etude in D Minor" (solo) 

Melodic Embellishment - The Appoggiatura 

Rhythm Guitar - The Right Hand (5/4 Swing) 

About Altered Chords and Chord Degrees 

Arpeggios - Four-Note Fb Chords 

Arpeggios - Four-Note A Chords 

Chord Construction - Three Notes - Melodization of Dominant 7 Chords 

Melodization of I Minor Chords with Harmonic Minor Scale 

Arpeggio Studies - 7th Chords 

"Melodic Rhythmic Study No.10" (duet) 

Major Scales - Position VII (Twelve Keys Ascending Chromatically) 

Principal Melodic Minor Scales - Position VII 

Chords (Three Notes) Melodization of Diminished Triads (Including Open Voicings) 

Chords (Three Notes) Melodization of Augmented Triads (Including Open Voicings) 

Arpeggios - Four-Note Ab Chords 

Arpeggios - Four-Note E Chords 

G Major Scale (Twelve Positions) 

E Harmonic Minor (Nine Positions) 

"E Minor Etude" (solo) 

Chord-Scale Relationships - Dominant 7 Chords 

Practical Fingers for Moving from Position to Position 

Chord Construction (Three Notes) Diminant 7 Chords - Preparation of Close and Open Voicings 

Arpeggios - Four-Note Db Chords 

Arpeggios - Four-Note B Chords 

Rhythm Guitar - The Right Hand (Samba) 

"Polka dot" (Polka-Duet) 

Major Scales - Position VIII (Twelve Keys Through Cycle 5) 

Chords (Three-Note Voicings) Melodiza of Tonic Major Chords 

Melodization of Minor 7 Chords as VIm7 (Diatonic Substitution Explanation) 

Melodization of Subdominant Major Chords 

Melodization of Minor 7 Chords as IIm7 

Arpeggios - Four-Note F# Chords 

Arpeggios - Four-Note Gb Chords 

Arpeggios - Four-Note C# Chords 

Arpeggios - Four-Note Cb Chords 

Chords (Three-Note Voicings) Dominant 7 Chords - Open Voicings - All Inversions 

B Major Scale (Twelve Positions) 

G Harmonic Minor (Nine Positions) 

"Etude in G Minor" (solo) 

Arpeggios - Diminished Chords (Spelling Most Used) 

Arpeggios - Dominant 7 (b5) Chords 

Theory : Diatonic 7 Chords - Harmonic Minor (Including Diatonic Substitutions) 

Arpeggio and Scale Study 

Chords (Three-Note Voicings) Melodization of Subdominant Minor 6 Chords 

Melodization of Minor 7(b5) as Altered IIm7 Chords 

Melodization of Dominant 7 Chords as IV7 and bVII7 

Melodization of Dominant 7 Chords as IV7 

Major Scales - Position X (Twelve Keys Through Cycle 5) 

Principal Real Melodic Minor Scales (Position X) 

Chords (Three-Note Voicing) Major 6 and Major 7 Chords - All Inversions 

Chord Construction - Five-Part Harmony 

Five-Note Arpeggios Major 7/9 and Dominant 9 Chords 

"Daydreams" (duet) 

Five-Note Arpeggios - Minor 9 and Diminished 9 Chords 

D Major Scale (Twelve Positions) 

B Harmonic Minor (Nine Positions) 

"B Minor Etude" (solo) 

Chords (Three-Note Voicings) Dominant 7 Chord Study with b5 (Chromatic Approach)in the Bass 

About Chord Progressions (Cycle 5) 

Theory : Interchaneable Chord Structures 

Rhythm Guitar - The Right Hand (Joropo, Nanigo) 

Arpeggio Study - Seventh Chords 

Chords (Three-Note Voicings) Melodization of Minor 7 Chords as IIIm7 

Melodization of Minor 7(b5) Chords as IIIm7(b5) 

Chromatic Melodization of Dominant 7 Chords (Close and Open Voicings) 

"Melodic Rhythm Study No.11" (Optional Duet with Rhythm Guitar) 

Five-Note Arpeggios - Minor 6(9), Dominant 9sus4, and Dominant 7(b9) 

Chords (Three-Note Voicings) Minor 7 and Minor 6 Chords - Close and Open Voicings 

Minor 7 Chords - Open Voicings - All Inversions 

IIm7-V7-I Chord Study 

Chord-Scale Relationships - Special Alterrations on Dominant 7 Chords 

"Pretty Please" (duet) 

Five-Note Arpeggios - Domminant 7(+9) Chords 

Harmonizing of a Melody - From a Lead Sheet with Chords Indicated 

Eb Major Scale (Twelve Positions) 

"Etude in C Minor" (solo) 

Chord-Scale Relationships - Major Chords, Minor 7 Chords 

Chords (Three-Note Voicings) 

Minor 7 and 6 Chords - Close and Open Voicings 

Minor 6, Minor 7 Chords - Open Voicings, All Inversions 

Five-Note Arpeggios - Domminant 7(+5, +9), Dominant 9(+5), and Dominant 7(+5, b9) Chords 

Chords (Three-Note Voicings) 

Melodization of I Minor Chords with Harmonic Minor Scale 

Melodization of IIm7(b5) Chords with Harmonic Minor Scale 

Melodization of Dominant 7 Chords with Harmonic Minor Scale 

"Teeah-Wanna" (Optional Duet with Rhythm Guitar) 

Rhythm Guitar - The Right Hand ("Paso Doble") 

Chord Study - Minor 7 with b5 (Chromatic Approach in the Bass) 

Chord Spelling - Five-Note Arpeggios - Minor (maj7/9) and Dominant 7(b5, b9) Chords 

Chord-Scale Relationships - Minor 6 and Minor 7(b5) Chords 

A Major Scale (Twelve Positions) 

F# Harmonic Minor (Nine Positions) 

"F# Minor Etude" (solo) 

Chord Spelling - Five-Note Arpeggios - Dominant 7(b9) sus4 and Dominant 9(b5) Chords 

Chord (Three Notes) Study in F Major and Study in F Harmonic Minor 

Chord Spelling - Five-Note Arpeggios - Dominant 7+9 sus4 and Dominant 7(b5, +9) Chords 

Additional Fingerings for Minor Scales 

Chord-Scale Relationships - Diminished 7 Chords - Augmented Traids 

Chords - Preparation of Four-Part Open Voicings - Adding the 5th Degree 

Preparation of Four-Part Open Voicings - Adding the Root 

Chord Spelling - Five-Note Arpeggios - Minor 9(b5) Chords 

About Improvisation 

"It's Late" (dute) 

Chords - Preparation of Four-Part Open Voicing - Adding the 3rd Degree 

Preparation of Four-Part Open Voicing - Adding the 7th Degree 

Scale-Chord Relationships - Major, Hamonic Minor, Real Melodic Minor, Whole Tone, and Diminished as Related to Chords