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[] Dvorak American Suite in A Major Op. 98 for Flute and Piano (해외배송 가능상품)
| Product | Dvorak American Suite in A Major Op. 98 for Flute and Piano |
|---|---|
| Country of Origin | Republic of Korea |
| Price | $24.87 €18.33 |
| 수량 |   |
| Seller Product Code | WF232 |
(Minimum order 1ea / Maximum order 0EA )
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| 상품명 | 상품수 | 가격 |
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| Dvorak American Suite in A Major Op. 98 for Flute and Piano |
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24.87 ( |
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American Suite, in A Major, Op. 98 for Flute and Piano
Chamber Flute, Piano
Composed by Antonin Dvorak (1841-1904).
Edited by Robert Stallman.
Arranged by Robert Stallman. Set of Score and Parts. With Standard notation.
28+16 pages.
Published by Carl Fischer Music (CF.WF232).
- *Table of Contents*
Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or "new" works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvorak, and other great composers. Conceived originally as a work for solo piano, this arrangement of Dvorak's Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman's "new" works for flute. Dvorak composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the "New World" --a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The "New World" Symphony, Cello Concerto, "American" Quartet, String Quintet in E<= Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth--textured with his personal impressions of the Wild West's fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
Preface Conceived originally as a work for solo piano, the Suite in A Major was composed by Dvorak in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvorak, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization. The Suite was inspired by the composer's happy and fruitful stay in the "New World", especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa--a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The "New World" Symphony, Cello Concerto, "American" Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth--textured with his personal impressions of the Wild West's fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty. Several of the Suite's affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvorak's transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvorak's joyous and tempestuous expressions, which open the second, third and final movements. This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my "new" works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvorak Sonatina. --Robert Stallman Marblehead, Mass. June 1, 2018.
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